Senin, 09 Februari 2015

* Ebook Free MAYTAG CORP.: Labor Productivity Benchmarks and International Gap Analysis (Labor Productivity Series), by Ltd. Icon Group

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This book is designed for human resources managers and directors of personnel who are concerned with labor productivity. It gives benchmarks and gap analyses used to gauge a company's performance vis--vis firms competing firms in the same sector, at the global level. In particular, this report covers CISCO SYSTEMS, INC., SAN JOSE, USA. With the globalization of markets, greater foreign competition, and the reduction of entry barriers, it becomes all the more important to benchmark a company's performance against other firms on a worldwide basis. Doing so, however, is not an obvious task. First, one needs to find firms competing in the same sector. Second, one needs to control for exchange rate volatility. Finally, one needs use comparable financial standards. This report overcomes these issues and gives full human resources benchmarks vis--vis worldwide competitors who are present in the same narrow industrial classification. Benchmarks cover labor-asset ratios, labor-liability ratios, and labor-income ratios. Since our reports are printed on demand, the figures available are for the latest quarter and are the most up to date available (4 updates are produced each year).

  • Published on: 2000-04-25
  • Binding: Ring-bound
  • 17 pages

From the Publisher
For over 20,000 companies, Icon Group International uses a proprietary methodology to generate international human resources benchmarks and measure gaps that might be revealed from such an exercise. First, for a given company Icon Group searches across over 26,000 firms for others producing similar products, offering similar services, or are in the same stage of the value chain for a particular industrial classification. We then collect the financials and labor statisctics for each of these firms and standardize these into comparable categories (assets, liabilities and income ratios). From there, we eliminate all currency effects by standardizing within each category. All benchmarks are updated quarterly.

From the Author
Icon Group publishes a number of other human resources benchmarks for firms in related product areas, including: -- BS CONTINENTAL S/A UTILIDADES DOMESTICAS -- CAMCO INC. -- DEVILLE SA -- FOURLIS BROS SA -- GROUPE SEB SA -- MAYTAG CORP. -- RINNAI CORP. -- STOVES GROUP PLC -- SUNBEAM CORP. -- WHIRLPOOL CORP.

Excerpt. © Reprinted by permission. All rights reserved.
Though we heavily rely on historical performance, the figures reported in this report are not historical but are forecasts and projections for the coming fiscal year. The forecasts are updated quarterly. The source(s) for the various raw statistics include public filings, corporate releases, and various other data sources.

Given a company's financial structure, the resulting figures are benchmarked across "leading competitors". In choosing the leading competitors, Icon Group chooses only those firms with sound financial situations or those not undergoing radical restructuring, or where random volatility, mergers, or bankruptcy affects financial performance.

Since the calculation of competitors' labor ratios proceeds in a similar fashion, but are aggregated across all competitors, one can directly conduct a gap analysis. Here, Icon Group graphically reports, for each labor productivity area the larger gaps that the firm has vis--vis the leading competitors. A gap need not be a bad sign. Rather, it is simply a substantial difference that might merit further attention or signal a firm's relative strength or weakness for the coming fiscal year.

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## Fee Download Just A Little Music (Turtleback School & Library Binding Edition) (New Adventures of Mercer Mayer's Little Critter (Prebound)), by Mercer

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FOR USE IN SCHOOLS AND LIBRARIES ONLY. Little Critter has a musical hobby...and it's noisy! he soon realizes that he might need just a few more lessons before he's ready for his own rock and roll band.

  • Sales Rank: #4046591 in Books
  • Published on: 2010-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .30" w x 7.90" l, .45 pounds
  • Binding: Library Binding
  • 24 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Sandi
My granddaughter loves these books!!

3 of 3 people found the following review helpful.
Probably our favorite Little Critter book
By Connie
I think we have seven or eight Little Critter books and they are all among my three-year-old boy's favorites.

Just A Little Music has been popular in our house since before my boy turned two. The details in the illustrations are excellent. What I find especially ingenious about them is that they just get richer and richer as your child ages and can discern and identify more of what's going on in the pictures. The illustration that is two full pages wide of the interior of the music store continues to mesmerize my little one after dozens of readings.

Here to pick up a new copy since (as with every other book that is this 8x8" format), the "centerfold" pages have fallen out and gone missing.

1 of 1 people found the following review helpful.
A Nice Book For Children of All Ages
By Robert Bolton
As a child, my family owned virtually every one of the Little Critter books that went to print. It is nice to see Mercer Mayer is still at it. Although I am not significantly outside of their recommended age range, I decided to flip through the most recent one before I gave it as a gift to a relative. It can be finished within a few minutes (probably ten at the maximum) and would make for a good bedtime or afternoon nap story for your children. It is an especially nice read for those who have children with a budding interest in music. As someone who likes seeing a new generation enjoy the same books of my childhood, I highly recommend this recent addition!

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Minggu, 08 Februari 2015

^ Fee Download Learning Flex 4: Getting Up to Speed with Rich Internet Application Design and Development (Adobe Developer Library), by Alaric Cole, Elij

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Learning Flex 4: Getting Up to Speed with Rich Internet Application Design and Development (Adobe Developer Library), by Alaric Cole, Elij

Learn Adobe Flex 4 in a fun and engaging way with this book's unique, hands-on approach. Using clear examples and step-by-step coaching from two experts, you'll create four applications that demonstrate fundamental Flex programming concepts.

Throughout the course of this book, you’ll learn how to enhance user interaction with ActionScript, and create and skin a user interface with Flex’s UI components (MXML) and Adobe's new FXG graphics format. You'll also be trained to manage dynamic data, connect to a database using server-side script, and deploy applications to both the Web and the desktop.

Learning Flex 4 offers tips and tricks the authors have collected from years of real-world experience, and straightforward explanations of object-oriented programming concepts to help you understand how Flex 4 works.

  • Work with Flash Builder 4 and the Eclipse IDE
  • Learn the basics of ActionScript, MXML, and FXG
  • Design a Flex application layout
  • Build an engaging user interface
  • Add interactivity with ActionScript
  • Handle user input with rich forms
  • Link Flex to a server with PHP and MySQL
  • Gather and display data
  • Style applications and add effects, filters, and transitions
  • Deploy applications to the Web, or to the desktop using Adobe AIR

  • Sales Rank: #2003118 in Books
  • Brand: Brand: Adobe Developer Library
  • Published on: 2010-11-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x .88" w x 8.00" l, 2.36 pounds
  • Binding: Paperback
  • 480 pages
Features
  • ISBN13: 9780596805630
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author

Alaric Cole has worked with the Flash Platform since the introduction of ActionScript itself. An early adopter of Flex, he has created rich enterprise applications, interactive media, and advanced framework components. A former Yahoo! employee, Alaric worked on the YUI team to bring the power of Flash to JavaScript. His current ventures have been developing mobile apps, designing for his bicycle company, and revolutionizing digital cinema.

Elijah Robison is completing a Master of Science degree in Geospatial Sciences from Missouri State University. As a graduate assistant, he built several hydrologic assessment utilities for ESRI's ArcGIS platform. Currently he works as a programmer with VillaGIS, Inc., where he helps develop mapping applications using Adobe Flex and Adobe AIR. Elijah brings a fresh perspective in Flex that helps to demystify the technology.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Everything you need to get started
By Michael Doyle
This book really helped get me started with Flex. I had some Flash and ActionScript experience, but I was not advanced. This book helped me learn what I needed to know and is a great place to start.

3 of 4 people found the following review helpful.
Very Clear Start with Flex and Flash Builder
By Brett Merkey
§
I have to admit having high expectations of a tech book that begins with a quote from Dostoyevsky! So far, I am very pleased with my progress through the book and I recommend it for other Flex/Flash Builder newbies like me. The target audience as described by the authors is "for anyone learning Flex, but we focused on those completely new to software development."

The move from the tools (or lack of them) of the generic Web with its HTML structure and CSS stylesheets, to the Adobe Flash Builder environment requires a certain change in approach. Cole and Robison pretty much ease that transition and even leverage off it. Many of us being introduced to Flash development are certainly not strangers to Web development.

The book has a sparse but serviceable companion site where the code for the 16 chapters that require it can be downloaded. The authors reinforce the value of the book for beginners by including three appendices that deal with issues not directly related to the subject matter but still important: Setting up various development environments and MySQL and PHP basics.

The book content flow is well-illustrated. One extra I appreciate is the effort put into the typographic conventions used for the code listings. Code emphasis and edits are very clear.

§

0 of 0 people found the following review helpful.
Excellent Flex 4 Learning Book
By Dan McKinnon
'Learning Flex 4: Getting up to Speed with Rich Internet Applications' is a great guide for anyone looking to learn or improve their Flex 4 skills. A collaborative book between O'Reilly and Adobe, this text is a perfect buy for anyone that wants to get their feet wet with this new and exciting technology or just needs a refresher in the basics of how to build Web 2.0 applications.

After 4 versions, the Flex environment is really beginning to come into its own, and it is much easier now to build apps than ever before! With 450+ pages of material spread over 18 chapters of color goodies, this will get you up and GOING in NO time at all.

The Flex platform is perfect for building self-contained apps which are netcentric, modern and efficient. If you are looking to build a new web app you owe it to yourself to take a look at this technology and this is the perfect first step to take!

**** RECOMMENDED

See all 8 customer reviews...

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Rabu, 04 Februari 2015

# PDF Ebook Discourses on the Holy Ghost: Also Includes Lectures on Faith: As Delivered At the School of the Prophets At Kirtland, Ohio, by Joseph F.

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Discourses on the Holy Ghost: Also Includes Lectures on Faith: As Delivered At the School of the Prophets At Kirtland, Ohio (1960 Grey Hardcover Printing, Third Edition). 168 Pages. Limited Collector's Edition.

  • Sales Rank: #10545774 in Books
  • Published on: 1960
  • Format: Deluxe Edition
  • Original language: English
  • Binding: Hardcover
  • 168 pages

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~~ PDF Download Programming the Mobile Web, by Maximiliano Firtman

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Programming the Mobile Web, by Maximiliano Firtman

Today's market for mobile apps goes beyond the iPhone to include BlackBerry, Nokia, Windows Phone, and smartphones powered by Android, webOS, and other platforms. If you're an experienced web developer, this book shows you how to build a standard app core that you can extend to work with specific devices. You'll learn the particulars and pitfalls of building mobile apps with HTML, CSS, and other standard web tools.
You'll also explore platform variations, finicky mobile browsers, Ajax design patterns for mobile, and much more. Before you know it, you'll be able to create mashups using Web 2.0 APIs in apps for the App Store, App World, Ovi Store, Android Market, and other online retailers.

  • Learn how to use your existing web skills to move into mobile development
  • Discover key differences in mobile app design and navigation, including touch devices
  • Use HTML, CSS, JavaScript, and Ajax to create effective user interfaces in the mobile environment
  • Learn about technologies such as HTML5, XHTML MP, and WebKit extensions
  • Understand variations of platforms such as Symbian, BlackBerry, webOS, Bada, Android, and iOS for iPhone and iPad
  • Bypass the browser to create offline apps and widgets using web technologies
(edited by author)


Seven Myths of the Mobile Web
by Maximiliano Firtman

As the Web has moved onto mobile devices, developers have told themselves a lot of stories about what this means for their work. While some of those stories are true, others are misleading, confusing, or even dangerous.

It’s not the mobile web; it’s just the Web!

I’ve heard this quote many times in the last few years, and it’s true. It’s really the same Web. Think about your life. You don’t have another email account just for your mobile. (OK, I know some guys that do, but I believe that’s not typical!)

You read about the last NBA game on your favorite site, like ESPN; you don’t have a desktop news source and a different mobile news source. You really don’t want another social network for your mobile; you want to use the same Facebook or Twitter account as the one you used on your desktop. It was painful enough creating your friends list on your desktop, you’ve already ignored many people…you don’t want to have to do all that work again on your mobile.

For all of these purposes, the mobile web uses the same network protocols as the whole Internet: HTTP, HTTPS, POP3, Wireless LAN, and even TCP/IP. OK, you can say that GSM, CDMA, and UMTS are not protocols used in the desktop web environment, but they are communication protocols operating at lower layers. From our point of view, from a web application approach, we are using the same protocols.

So, yes…it’s the same Web. However, when developing for the mobile web we are targeting very, very different devices. The most obvious difference is the screen size, and yes, that will be our first problem. But there are many other not-so-obvious differences. One issue is that the contexts in which we use our mobile devices are often extremely different from where and how we use our comfortable desktops or even our laptops and netbooks.

Don’t get me wrong--this doesn’t mean that, as developers, we need to create two, three, or dozens of versions duplicating our work. In this book, we are going to analyze all the techniques available for this new world. Our objective will be to make only one product, and we’ll analyze the best way to do it.

You don’t need to do anything special about your desktop website.

Almost every smartphone on the market today--for example, the iPhone and Android-based devices--can read and display full desktop websites. Yes, this is true. Users want the same experience on the mobile web as they have on their desktops. Yes, this is also true. Some statistics even indicate that users tend to choose web versions over mobile versions when using a smartphone.

However, is this because we really love zooming in and out, scrolling and crawling for the information we want, or is it because the mobile versions are really awful and don’t offer the right user experience? I’ve seen a lot of mobile sites consisting of nothing but a logo and a couple of text links. My smartphone wants more!

One website should work for all devices (desktop, mobile, TV, etc.).

As we will see, there are techniques that allow us to create only one file but still provide different experiences on a variety of devices, including desktops, mobiles, TVs, and game consoles. This vision is called “One Web.” This is to an extent possible today, but the vision won’t fully be realized for years to come. Today, there are a lot of mobile devices with very low connection speeds and limited resources--non--smartphones—that, in theory, can read and parse any file, but will not provide the best user experience and will have compatibility and performance problems if we deliver the same document as for desktop. Therefore, One Web remains a goal for the future. A little additional work is still required to provide the right user experience for each mobile device, but there are techniques that can be applied to reduce the work required and avoid code and data duplication.

Mobile web is really easy; Just create a WML file.

I’m really surprised how many mobile websites are still developed using a technology deprecated many years ago: WML (Wireless Markup Language). Even in emerging markets, there are almost no WML-only web-capable devices on the market today. The worst part of this story is that these developers think that this is the markup language for the mobile web. Wrong! WML development was called mobile web (or WAP) development a couple of years ago, when the first attempt at building a mobile web was made. There are still a small proportion of WML-only devices available in some markets, but WML is definitely not the mobile web today.

Just create an HTML file with a width of 240 Pixels, and you have a mobile website.

This is the other fast-food way to think about the mobile web. Today, there are more than 3,000 mobile devices on the market, with almost 30 different browsers (actually, more than 300 different browsers if we separate them by version number). Creating one HTML file as your mobile website will be a very unsuccessful project. In addition, doing so contributes to the belief that mobile web browsing is not useful.

Native mobile applications will kill the mobile web.

Every solution has advantages and disadvantages. The mobile web has much to offer native applications, as Chapter 12 of this book will demonstrate. The mobile web (and the new concept of mobile widgets) offers us a great multi-device application platform, including local applications that don’t require an always-connected Web with URLs and browsers.

People are not using their mobile browsers.

How many Internet connections are there in the world?

    1,802,330,457 (26% of the world’s population) at the beginning of 2010 (http://www.internetworldstats.com)

How many people have mobile devices?

    4,600,000,000 (68% of the population) at the beginning of 2010 (U.N. Telecommunications Agency, http://www.itu.int)

So, one of the reasons why people are not using their mobile browsers may be because of us, the web producers. We are not offering them what they need. There are other factors, but let’s talk about what we can do from our point of view.

Opera Mini is a mobile browser for low- and mid-range devices. It is free and it has had more than 50 million downloads to date. This tells us that 50 million users wanted to have a better mobile web experience, so they went out and got Opera Mini. Do all the 4 billion plus worldwide mobile device users know about Opera Mini? Perhaps not, so it’s difficult to know how many would be interested in trying this different mobile web experience. However, 50 million downloads for only one browser that the user had to install actively is a big number for me. When Opera Mini appeared in Apple Inc.’s App Store, from which users can download and install applications for the iPhone, iPod, and iPad, 1 million users downloaded the browser on the first day. This is quite impressive.

Today, less than 4% of total web browsing is done from mobile devices. This percentage is increasing month by month. Mobile browsing may never become as popular as desktop browsing, but it will increase a lot in the following years.

In addition, user browsing on mobile devices will likely have a higher conversion rate. How many tabs do you usually have open at once in Internet Explorer or Firefox on your desktop or laptop? On a mobile device, when you browse you are more specific and more likely to act on what you find.

  • Sales Rank: #1597117 in Books
  • Brand: Brand: O'Reilly Media
  • Published on: 2010-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x 1.00" w x 7.00" l, 1.78 pounds
  • Binding: Paperback
  • 512 pages
Features
  • Used Book in Good Condition

About the Author

Maximiliano Firtman is a developer focused on mobile and RIA development. He is a professor in web and mobile technologies, and founder of ITMaster Professional Training. He is author of many books in Spanish, including books on Java ME, ASP.NET, AJAX and Professional Web 2.0.

He is founder and manager of ARFUG (Argentina RIA & Flex User Group), an official Adobe User Group covering many RIA technologies, including AJAX, Flex, AIR and Silverlight. He has spoken at conferences in Spanish and English and published dozens of articles in magazines (.CODE, Users) and online (MaestrosDelWeb, Forum Nokia).

He has been a Forum Nokia Champion since 2006, and has developed many mobile projects as MobileTinyURL.com and widgen.com.

He is an expert in AJAX, Adobe Flex, Java ME, Widgets for Mobile and iPhone development.

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22 of 23 people found the following review helpful.
Best mobile web reference I've seen
By ueberhund
The purpose of this book is to identify best practices when creating web applications that will be consumed by mobile web browsers. It not only does an excellent job outlining those best practices, but it's incredibly up to date in its content. Not only is there information related to "retina display" available in iPhone 4, but there is also a brief discussion about how Palm has been purchased by HP (both events occurred only a few months ago).

The book begins by providing the most comprehensive discussion of mobile browsers that I've ever seen. The author furthers this discussion throughout the book by providing some of the most detailed information on the compatibility between these various mobile browsers and the standards that each one supports. The book warrants a purchase simply for this information alone.

The author continues by providing examples of supported doctypes, coding markup, and CSS. The author demonstrates CSS differences between the major mobile browsers, and demonstrates some libraries to make web applications look more like native applications.

There is a lot of attention given to Safari, and rightly so, since it is one of the most popular mobile browsers available. However, the reader should be prepared for this fact.

All in all, I found this to be a terrific reference to the state of mobile browsers and a great reference to assist in maximizing compatibility among mobile browsers. I'd highly recommend this for any developer who is creating mobile web applications. By following the guidelines outlined in this book, your applications will be able to effectively reach the largest mobile population possible.

35 of 43 people found the following review helpful.
Too generic - not enough example code
By T.E.B.
I bought the book because of the other 5 star review (that happened to be the only review at the time), but was disappointed once I got to read the book.

I'm building a web-based mobile app and was hoping this book would teach web techniques that work on multiple platforms, and would save me development time by for example not having to build separate iPhone and Android versions while still being able to provide native looking interfaces for different platforms. After reading the book though, I am not any closer to that goal than I was before reading it. The book was way too generic for my needs and provided hardly any code examples I could actually use for my project. The book seems more like an academic course that teaches the principles of mobile-independent development, rather than practical advice you can put to use right away.

I admit that I probably had the wrong expectation when buying the book, and I can see that the book would have value for someone who is simply converting a traditional website into a mobile website, and wants that mobile version be accessible by as many people as possible. But for more serious web app development this is the wrong book.

5 of 6 people found the following review helpful.
#1 in my library of books on mobile development
By Jason Haag
This book was my #1 rated book that came out in 2010 on developing for the many mobile device browsers and platforms on the market. In 2009, the top book was "Mobile Design and Development" by Brian Fling. This book is a little more up to date and covers everything you need to know about challenges associated with device fragmentation and other design considerations. The author provides excellent tips and strategies for progressive enhancement and device detection. Mobile development is not easy. This book will save you months of research and development time and is a perfect introduction in the the mobile world for web developers looking to make the transition, but need an understanding of the vast number of issues and challenges associated with programming for the mobile web. This book was written very well and the organization of topics flows very nicely.

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Selasa, 03 Februari 2015

!! Fee Download On Writing: 10th Anniversary Edition (Turtleback School & Library Binding Edition), by Stephen King

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On Writing: 10th Anniversary Edition (Turtleback School & Library Binding Edition), by Stephen King

On Writing: 10th Anniversary Edition (Turtleback School & Library Binding Edition), by Stephen King



On Writing: 10th Anniversary Edition (Turtleback School & Library Binding Edition), by Stephen King

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On Writing: 10th Anniversary Edition (Turtleback School & Library Binding Edition), by Stephen King

FOR USE IN SCHOOLS AND LIBRARIES ONLY. “Long live the King"" hailed Entertainment Weekly upon publication of Stephen King's On Writing . Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999-and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it-fans, writers, and anyone who loves a great story well told.

  • Sales Rank: #892583 in Books
  • Published on: 2010-07-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x 1.00" w x 5.40" l, .90 pounds
  • Binding: Library Binding
  • 291 pages

Review
"The best book on writing. Ever."--"The Plain Dealer" (Cleveland)

"A one-of-a-kind classic."--"The Wall Street Journal"

""On Writing" had more useful and observant things to say about the craft than any book since Strunk and White's "The Elements of Style"."--Roger Ebert

"This is a special book, animated by a unique intelligence, and filled with useful truth."--Michael Chabon

Most helpful customer reviews

565 of 577 people found the following review helpful.
Uncovering the Fossil
By A Customer
For the legions of Stephen King fans out there (which is to say a lot), the first third of the book containing his short memoir is truly a gift. One can't help wanting to read about his/her favorite writer after being transported to fantastic worlds countless times in Mr. King's prolific career. Some fans would have paid... gladly for the first 101 pages of the memoir ("C.V." he calls it), which includes heartfelt tidbits about his brother, mother and his long battles with alcohol and drug addiction.
The second part, "On Writing," is where the aspiring novelists will find inspiration. Assuming you're a serious writer (or wanting to be a published one), you'd no doubt would have read the countless manuals on the mechanics of writing. With Mr. King, you do get short lessons in the mechanics of prose here and there. What he mostly offers to the aspiring writer is the inspiration, the cheerleading, and as some have already suggested, after reading it makes you want to sit and write something. He actually allows you into his writing routine, when and where he writes, how many months it takes to write the first draft, and even how he goes about editing the second draft.
Some very original thoughts I found quite interesting:
1. Story is a fossil you find on the ground, and you gradually dig it out slowly.
2. He doesn't plot his stories. He puts "a group of characters in some sort of predicament and then watch them try to work themselves free." In fact he even goes as far as to say, "plot is shift, and best kept under house arrest."
3. Write first draft with the "door" closed, and the second draft with it open.
There are truly gems here for writers, simple, direct, to the point. As always, he doesn't talk down to you. There is even advice on finding agents.
The final section elaborates his near-death experience in summer of 1999, when he was hit by a van driven by Bryan Smith. The book is actually a sandwich: two slices of autobigraphy with the writing advice as the meat of the book.
Though the thin volume was not your edge-of-the-seat thriller or horror, I found myself reading the darn thing in one seating. A pretty good deal for a non-fiction book. This may sound funny, too, but I felt like the book became a good friend of mine. In a word, this is book is intimate. As a fan, and perhaps a writer, that might be worth something.

649 of 695 people found the following review helpful.
For writers and readers -- get inside King's mind
By Dr Beverly R Vincent
The cover shows an inviting scene, a country house with a warm light glowing in the living room window, a set of double doors leading down to the cellar, the house lined with pink and white flowers. "Come on in," the picture seems to say. "I have a story to tell."
It generally takes Stephen King about three months to finish the first draft of a book. He began "On Writing" at the end of 1997, but put it aside a few months later, unsure how to finish it. Over a year later, in mid-1999, King decided to spend the summer "finishing the damn writing book."
The events of late-June, 1999 interfered with those plans. King spent three weeks in the hospital after he was struck by a van. In late July he decided it was time to start writing again, and it was "On Writing" that he chose for his return to work. The finished product, "On Writing: A Memoir of the Craft" will be released by Scribner in early October, 2000.
It was a discussion with Amy Tan while on tour with the Rock Bottom Remainders that inspired King to write this book. "No one ever asks about the language," Tan said in response to King's query about the sorts of questions that she doesn't get at author appearances. "Serious" authors get asked that but they don't ask the popular novelists who, he says "care about language in our humble way, and care passionately about the art and craft of telling stories on paper."
King opens with a lengthy memoir that "attempted to show some of the incidents and life-situations which made me into the sort of writer I turned out to be." He calls this section "C.V," as in "curriculum vitae," his list of accomplishments and job skills. Some of the story is familiar, though many of the details are new. He works his way through his stages as a writer from childhood to novice to apprentice to worldwide success.
For the first time in any detail, King addresses his battle with alcohol and drug abuse, when it started, how it evolved and how he eventually was forced to confront his problem. He reveals that he has little memory of writing "Cujo" ("I wish I could remember enjoying the good parts as I put them down on the page"), that he hadn't realized that when he was writing "The Shining" he was writing about himself, and how Annie Wilkes in "Misery" could well be seen as a symbol for coke and alcohol. "I decided I was tired of being Annie's pet writer," King says.
King is more revealing of his life in this book than ever before. He is frank in discussing the merits and deficiencies of many of his books. Of "Rose Madder" and "Insomnia" he says: "These are (much as I hate to admit it) stiff, trying-too-hard novels." He talks about how he reached a point in "The Stand" where he had to set the novel aside for several weeks until he could figure out how to go on. If he had written a couple of hundred pages less at that point he probably would have abandoned the book completely. Also described in some depth are the issues he had to deal with in writing "Carrie," "The Dead Zone" and "The Green Mile." He spends some time relating an event that inspired him to write the upcoming novel "From a Buick Eight" and the research required for the second draft that had to be deferred after his accident - a couple of weeks riding with the Pennsylvania State Police.
"But I'm not a writer," the prospective reader of "On Writing" might cry. "Why should I want to read this book?" While a substantial section of the book is about writing, King's approach to it and his advice to writers at all levels of the art, there is much here for the non-writer as well. King's success has made him a high-profile personality, more so than many other authors, and the level of public interest in his life is easily demonstrated by the overwhelming number of requests for updates on his condition received by his office and official web site in the weeks following his accident. Here is the opportunity to read King on King, and on his books. He describes the symbolism in many of his novels, rarely planted intentionally on the first draft but uncovered, as an archaeologist uncovers a ruin, during the writing of the second draft.
For writers, though, the book is chock full of advice, some of it common sense, some of it uniquely King's. His taboos of writing: adverbs (especially those in dialog attributes) and the passive voice. His description of the writer's toolbox: Common tools on the top shelf (vocabulary and grammar), elements of grammar and style on the second level, along with an understanding of the paragraph as the basic element in fiction, and a synthesis of all of these along with innate and developed skills at the bottom.
"If you want to be a writer," King says, "you must do two things above all others: read a lot and write a lot." King calls reading the creative center of a writer's life. He advocates reading in small sips as well as long drinks - in waiting rooms, in line at the theater, in the checkout line at the grocery store, on the treadmill at the gym and in the john.
When it comes to writing, though, King is more selective. "We do best in a place of our own," he advises. The most important feature of this place: a door that you can and are willing to shut. No TV, no phone and no video games. Curtains closed. Write first with the door closed. Write for yourself without worry about theme, symbolism or accuracy of details. Those are for the second draft, which is usually written with the door open, after he has sent the book to a select group of critical readers.
King includes examples of both good and bad writing, sometimes taken from his own work, sometimes taken from such writers as Elmore Leonard and John Katzenbach. The final chapter of the book is an annotated rewrite of his first draft of the opening section of "1408," one of the three stories in the recent "Blood and Smoke" audio release. This section should silence critics who suggest that King doesn't rewrite his work. It is an interesting look at the creative process and what an author should look for when editing his or her own material.
He also describes his approach to research. It's all about back story, he says. "What I'm looking for is nothing but a touch of verisimilitude, like the handful of spices you chuck into a really good spaghetti sauce to really finish her off."
Toward the end of the book, King tackles the subject of his accident. This section, called "On Living," is partly a bully platform for him to get his version of the story down, as well as his opinion about how the legal system handled the case of driver Bryan Smith. It also describes how an otherwise ideal day went wrong, the minute details of his injuries and some of the challenges of his recovery process. "Life isn't a support system for art - it's the other way around," he concludes.
Throughout the book, but especially in this chapter, King pays tribute to wife, Tabitha. She is King's "Ideal Reader," the person for whom he writes all of his books, the one who he wants to make laugh or cry through his writing. His love and admiration for her shines through, from a touching scene in their early courtship where he sits at her feet as she reads her poetry in a workshop, his hand on her calf, to her organization of a group intervention to make him confront his addiction problems, and all the way through to her support and encouragement of him during his convalescence.
At the end, King includes a list of nearly a hundred novels that he considers the best that he's read in the last three or four years. "A good many of these might show you some new ways of doing your work. Even if they don't, they're apt to entertain you," he concludes.
The same might be said of "On Writing."

218 of 240 people found the following review helpful.
Get out your notebooks, sharpen your pencils...and learn.
By ConstantConsumer
Though far from the definitive writer's guideline, this book shines a unique perspective on the craft. Stephen King lays down the law and then teaches it. He shares his techniques, his pet peeves, and his own personal horrific experiences - both as child and adult - and he does it all within the cerebral classroom of the printed page. He wraps a juicy filling of personal tragedy, growth and experience within a tight covering of his famous story telling style.
As a human, I was touched by his childhood anecdotes and often laughed with him about his insecurities. I am still in awe at what he has recently had to overcome physically. I mean, damn.
As a writer, I am grateful for a brief glimpse into his vocational world. I gained confidence from learning about things I have been doing right and have changed many bad habits (may the adverb rest in peace). I've read several tomes on the subject and believe his reigns as the most complete.
I've been a fan of King's since the seventh grade when I was given The Dead Zone and Cujo as an Easter present. A year later I had read every book he'd published (with the exception of the dreaded Limited Editions of which I could opine negatively for hours - suffice it to say that writing should be for everyone to read, not just the rich). I've read or listened to all his books since. I can honestly say, that this is my favorite.
Sometimes the coldest hands to wrap around your neck are the true ones.
The only bad thing I can say about this book is that it's too short, something one rarely has the opportunity to state regarding the beloved author.
A huge thank you to Mr. King for a brief indulgence into the life of a genius.

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Minggu, 01 Februari 2015

## Download Ebook Little Miss Story Treasury, by Roger Hargreaves

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Little Miss Story Treasury, by Roger Hargreaves

A collection of twenty stories, which feature the popular Little Miss characters.

  • Sales Rank: #2524418 in Books
  • Published on: 2008
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good condition, speedy delivery.
By I Used 2b Cool
This is a collection of new Little Miss stories, not the originals. While the new stories mostly capture the spirit of the older ones, I was pretty disappointed that in the very first one, one character hauls off and punches another in the face. There's a picture too, so I can't even change the text to something more appropriate. Not really what I want my toddler hearing/seeing. I only read a few of the stories so far, so I'm not sure if that's the only problematic area. The other ones I've read are okay.
I do love that it's a complete collection., and the price was very fair. The book also came quicker than I was expecting, and is in very good condition.

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